What Genre Will Her Up coming Album Be?

“Genres are a funny small concept, aren’t they?” states Linda Martell, a nation songs pioneer, in the intro to Beyoncé’s “Spaghettii.” “In concept, they have a uncomplicated definition that is easy to realize, but in exercise, properly, some may feel confined.” Those two sentences completely sum up how Beyoncé has subverted expectations in latest several years by spreading her wings further than pop, hip-hop, and R&B to infuse rock, dwelling, and now region songs into her personal one of a kind type that ultimately genuinely is just “Beyoncé.”

On her most up-to-date album, Cowboy Carter — household to “Spaghettii” and tracks that attribute Miley Cyrus, Dolly Parton, and Willie Nelson — she tips her hat to state, folks, and Americana. The file, which follows the house- and disco-motivated Renaissance, is the next act in a claimed trilogy of albums that will obtain the artist immersing herself in genres people today could possibly not usually think of 1st when they think of Beyoncé.

Given that she hasn’t offered any official hints as to what Act III could be, the Rolling Stone personnel determined to guess. This Act III Wish Checklist includes both equally honest and silly entries. Ok, generally they are silly and lighthearted. And considering the fact that speculating about what Beyoncé could do upcoming is form of an act of fiction unto itself, a number of writers imagined their individual Beyoncé interviews — quotes that in no way took place to make the unreal actual. We’ll have to hold out a few of a long time to discover out what Act III retains, but until finally then, right here are a few of the several paths we forecast Beyoncé could just take.

Notice: All over again, most of the rates and anecdotes in this tale are 100 p.c fictional, if you cannot previously tell. You should use your judgment right before sharing screenshots. Be risk-free out there!

It’s Gonna Be Twee

Country songs is really true. But you know what’s definitely, seriously serious? Lo-fi sad-sack indie rock. It is time for Cuddle-Core Carter, the future frontier in the Bey-odyssey. In an job interview with indie zine Chickfactor endorsing the album, Beyoncé bought at the inspiration driving her most up-to-date operate: “I listened to Phoebe Bridgers on that SZA track, and rather before long I was way down a rabbit hole….Lois, Tiger Trap, Talulah Gosh, all that stuff. Future thing you know I’m up in Olympia, Washington, vibing in the studio with Calvin Johnson.” Recorded in two hours and that includes friends these kinds of as Mitski, Lomelda, Jay Som, and Faye Webster, Cuddle-Core Carter is comprised completely of handles, this kind of as the Softies’ “Sleep Away Your Problems,” Grownup Mom’s “I Make Boys Cry,” Courtney Barnett’s “Depreston,” Caroline Polachek’s “So Warm You’re Hurting My Feelings” (the Squirrel Flower variation), and Taylor Swift’s “August” — a further nod to this style from a fellow pop superstar. “Yeah, the total detail is covers. I preferred to glow a mild on these good artists,” Beyoncé said. “And, moreover, you just cannot seriously strengthen on this stuff, not like place, which you can pretty a lot fully reinvent devoid of even hoping.”  —J.D. 

Tales From Yoncégraphic Oceans

As a little girl, Beyoncé used to wake up in the middle of the night, tiptoe into the basement, and hear to her father’s prog rock documents. And despite the fact that she liked Hurry, Marillion, Jethro Tull, ELP, Van der Graaf Generator, Pink Floyd, and King Crimson, she experienced a distinct appreciation for early Of course and Genesis. “Bill Bruford is the greatest drummer in the background of the globe,” Beyoncé suggests, “maybe even the universe! I have scoured the globe for bootlegs of the 1976 Trick of the Tail tour given that he’s on drums. When he plays together with Phil Collins on a medley of Lamb Lies Down on Broadway tracks, it is just prog perfection. The April 13, 1976 exhibit at Pittsburgh’s Sylvia Mosque is my preferred.”

Soon after yrs of trying to keep this solution to herself, Bey has assembled a Sure/Genesis supergroup to be part of her on her hottest file, Tales From Yoncégraphic Oceans. Backed by guitarists Steve Hackett and Steve Howe, keyboardist Tony Financial institutions, organist Tony Kaye, drummer Nick D’Virgilio, and bassist Billy Sherwood, the album mixes Genesis covers (“Twilight Alehouse,” “Going Out to Get You,” “The Light”) with Indeed songs (“Dance of the Dawn,” “Sound Chaser,” “Dancing By way of the Light”). “My only regret is I could not talk Invoice Bruford out of retirement for this,” she claims. “Lord understands that I tried using. But I constantly beloved Nick D’Virgilio’s perform with Spock’s Beard. When I remember that he performed on the 1997 Genesis album Contacting All Stations, it just felt like kismet.”

“I was incredibly torn about masking ’The Mild,” she provides. “As each accurate Genesis fan knows, the only recording is a very poor good quality viewers bootleg from a present in 1971 at the La Ferme V club in Belgium. But there’s some thing magical about that music, and the actuality they reworked it yrs afterwards as ‘Lillywhite Lilith’ on The Lamb. I hope one particular working day the same engineering that permitted the Beatles to end ‘Now and Then’ can permit the La Ferme V tape to be restored so we can all listen to the glory that is ‘The Light’ in high high-quality. In the meantime, I hope my include will suffice.”

Strategies for the tour are even now coming alongside one another, but she hopes to recreate the exact staging from Rick Wakeman’s 1975 King Arthur on Ice. “I’m going to gown up like Queen Guinevere in reliable medieval garb,” Beyoncé says. “I’ll be joined by around 100 other ice skaters. Throughout a single of the lots of mellotron solos, I’m heading to attempt a quadruple axle. When we play ‘Supper’s All set,’ I’m heading to fly around the audience like Peter Gabriel did at the Academy of Music in 1974. You are not prepared for this shit.”  A.G.

Classically Carter

Destiny’s Little one ended up hightailing it out of Munich just after a triumphant 2002 gig when Beyoncé started off fiddling with the radio in the back again of the trio’s Mercedes-Benz van. The girls ended up continue to catching their breath immediately after powering as a result of “Jumpin’ Jumpin’,” “Survivor,” and “Happy Face,” but when Bey settled on a classical radio station at the base of the dial, the entire mood shifted. As Beyoncé recalled in a unusual 2017 job interview about her adore of classical audio with Gramophone journal, Kelly Rowland requested to alter the station to continue to keep the mood upbeat, but Beyoncé waved Rowland’s concern absent. The way composer Henryk Górecki’s dreamlike orchestral strings swelled all over the car moved her so deeply, she was on the verge of tears — and she cherished the experience.

Beyoncé recalled how when Dawn Upshaw’s soprano emerged from the mist of sound, she broke down completely and absolutely. So did the other users of the team. Górecki’s “Symphony of Sorrowful Songs” — the wonderful Polish composer’s lachrymose masterwork about the overpowering accountability of motherhood — was the most devastatingly magnificent audio they’d ever heard. So they huddled jointly, keeping arms, sniffling. “Kelly saved handing me and Michelle Kleenexes,” Beyoncé recalled in the interview. “I indicate, let me inform you, Michelle was wrecked.”

After Destiny’s Child broke up, Beyoncé secretly held on to the Górecki sensation, hoping one working day to rend her coronary heart openly, singing the saddest music at any time to contact her soul (without breaking it). She established the table for her new album, Classically Carter feat. Blue Ivy, with the operatic singing on Cowboy Carter’s “Daughter.” According to a supply, who wishes to remain nameless so as not to violate the terms of an NDA, some people today in her camp are uncertain if the planet is ready to weep alongside one another en masse when she releases her very own rendition of Górecki’s Symphony No. 3 in 2026. But Beyoncé, all set to develop into a genuine diva in the operatic perception, keeps insisting that crying collectively is the only way to achieve planet peace.  K.G.

Instrumentally Yours, Beyoncé 

As Beyoncé tells it, it was the soothing audio of Andre 3000’s flutes on New Blue Sun that did it. “That tunes took me to a further place,” she claims, “and I wanted to go to that area. But a location of my individual. Maybe someplace in Europe. With a castle.” But which instrument, and which nation? Flashing back again to her collaboration with Jack White on Lemonade — and how she came throughout the White Stripes’ “Prickly Thorn, But Sweetly Worn” in the course of her substantial research into his lifestyle — she was reminded of the siren track of the bagpipes. 

The result is Kilt Carter, a triumphant file that connects the mournful tones of the Scottish Highlands with Beyoncé’s adore for the unique musical traditions of nations all over the globe and their streaming services. Hiring renowned Scottish master Angus McLoughlin, the worldwide celebrity put in weeks operating on her breathing and finger procedures for the instrument. “I can not explain to you how lots of times I played together to ‘Mull of Kintyre,’” Beyoncé says with a laugh, referring to the Wings regular. “That’s my jam.”

In a nod to her protect of “Blackbird” on Cowboy Carter, Kilt Carter functions a remake of that music, with Paul McCartney himself producing a surprise harmony cameo. Employing ensembles like the renowned Berwickshire Baggers, Beyoncé also offers up an instrumental bagpipes edition of the traditional “Danny Boy,” renamed “Danny Boiii” in keeping with her fondness for a number of “i’”s. But the track that will even wake up the Loch Ness Monster is her cover of AC/DC’s bagpipe-enhanced “It’s a Long Way to the Leading (If You Wanna Rock and Roll).” Now named “Bey at the Best,” it will make everyone rethink the roots of hefty metallic and woodwind devices like under no circumstances right before.  —D.B.

Now That’s What Beyoncé Calls New music!

With the launch of Cowboy Carter, Beyoncé has (the moment once more) proved that she transcends the fences of any audio genre. So, to put the legitimate finisher on her a few-act task, she will lean into the defining CD franchise of the 2000s and release her own Now That is What I Connect with Tunes! for Act III.

On this history, she normally takes the best tunes from the previous 10 years — consider all the Number Just one hits from 2010 till now — and elevates them to unimaginable ranges, even more proving a level with her talent. Consider Bey-high quality harmonies and vocal runs on Gotye’s “Somebody That I Utilised to Know,” a pair of cocky, shit-talking verses for her own rendition of Drake’s “God’s Approach,” and a Renaissance-era spin on Dua Lipa’s “Levitating.” Probably the “Video Phone” singer can even completely transform Carly Rae Jepsen’s “Call Me Maybe” earworm into a masterpiece that entirely realigns the new music canon. Though it might be tricky to visualize her voice on some of these hits of yesterday, peep how she just sonically remodeled an already ideal tune, “Jolene.” Of program, in keeping with her plan to change the music industry again to a physical income model, Act III will only be accessible to invest in by big-box vendors and little record suppliers. No streams.  —E.B.

Sanga Ternt Rappa: Beyoncé Will come for Kendrick’s Pulitzer

Beyoncé’s very last two albums have been all about reclamation, but Act III? This a reminder:  Queen Bey, who manages to outrap absolutely everyone when invited to do so, is releasing a rap album of her personal. As a 1980s infant who arrived of age as rap grew to become pop, Beyoncé has experienced a entrance-row seat to the methods the commercialization of hip-hop has generally misconstrued, used, and diluted it. On Bey Boy, the trinity’s previous installment, she will get to the roots of the style and gets serious in 16s that acquire her myriad of critics head on. She tackles social troubles with a new forthrightness, like on standout keep track of “Whose Flag?” that attracts a distinct throughline among America’s imperialism overseas and racism at household. She gets authentic increase-bappy, far too, with generation from the Alchemist, DJ Leading, and the late J Dilla’s archives. Certain, there are intricate vocal prospers and stacked hooks scattered about, but Bey Boy is straight bars. M.C.

Sloop John Bey

We beloved how elegantly Beyoncé integrated “Good Vibrations” into “Ya Ya,” making Cowboy Carter’s style-destroying high position its very own teenage symphony to God. So how about Act III seems even further out to sea: an album of surf-rock. A lot of are clamoring for Beyoncé to do a rock history, but zeroing in on the surf subgenre would have bros and Bettys alike stoked. Enlist Los Straitjackets as the backing band and allow it rip. The photo shoot by yourself would be really worth it: Seaside Blanket Beyoncé! Or tap the Wondermints, the L.A. band that gave Brian Wilson his possess 3rd act, for a much more orchestral beach vibe. Who would not want to hear Beyoncé rewrite “California Girls” like she did “Jolene”? Or recast any number of Seaside Boys hits. If she’s proved everything with her daring reclamation of country, it is that she was not just produced for these instances.  ­—J.H.

AbBey Road 

If you relished what Her Majesty did with “Blackbiird” on Cowboy Carter, that’s just the starting, because for her future act, it’s her total-on album of Beatles handles: AbBey Highway. The deal with art is 4 Beyoncés going for walks across Abbey Street — all of them seeking back again at Drake, because she’s obtained additional slaps. CowBey McCarterney reworks the Fab Four’s catalog into her have own statements: “Ashes to Ashes, Dust to Ono Sideboards,” “Chardonneigh Fields Permanently,” “Mother Destiny’s Youngster,” “Nothing Authentic Can Be Threatened and Nothing to Get Hung About,” “I Want Me (I’m So Major),” “You Often Give Me Your Cash,” “Plastic Knowles Band,” and the 23-next acoustic snippet at the conclusion, “Her Majesty’s a Clever Woman. “ If you engage in it backwards, you can hear her voice say, “Here’s another clue for you all: Becky was Paul.” —R.S.

An Ode to the Lady Team

If Renaissance explored the roots of dwelling audio and ballroom society and Cowboy Carter highlighted the Black origins of country new music, then Act III will reminisce on Beyoncé’s possess musical beginning: the female group.

Her future act will seize Beyoncé reuniting with her Destiny’s Child groupmates Kelly Rowland and Michelle Williams for an completely new tune that celebrates their start out. She’ll also pay tribute to some of the most legendary Black girl teams of the earlier. She’ll aspect her hero Diana Ross (remember how she came out with her during Bey Working day?) on a reimagined version of the Supremes’ “Baby Like.” Assume a sample of the Marvelettes’ “Please Mr. Postman,” as very well.

On the majority of the history, even though, Bey will tap Nineties R&B on songs such as a collab with TLC’s Chilli and T-Boz in tribute to the late Still left Eye, created by Missy Elliott. Don’t be shocked to see an Xscape, SWV, and/or En Vogue interpolation, either. 

She’ll also use her album to uplift British R&B trio FLO, the potential of the female group. Oh, and she’ll duet with former Fifth Harmony star Normani on a different keep track of. (I was gonna say she’ll reunite 5H, but we’re staying reasonable here.)  — T.M.

Crowning the Queen of Rock and Roll’s Successor 

There is a growl in the way that Beyoncé delivers these “Ya Ya” lyrics about a man maintaining religion in his coronary heart and a pistol on his dashboard. The music spans a myriad of references and influences, but the imprint of Tina Turner is unmistakable. Beyoncé has generally cited the trailblazing musician as a person of her finest inspirations. “When I was a kid and I observed her tapes, I needed to be like her,” she the moment reported. She’s even referred to the Queen of Rock and Roll as “the top.” That growl, and the way that Beyoncé unleashes this other side of herself vocally as she traverses genres, is one of Turner’s best gifts to tunes. 

It’s the similar release we listen to in Miley Cyrus’ gritty, unmistakable snarl, or in Hayley Williams’ voice when she’s gloriously unraveling across Paramore’s data and redefining the boundaries among pop and rock. We have listened to Beyoncé bulldoze these parameters on B’Day’s “Ring the Alarm” and Lemonade’s “Don’t Hurt On your own,” her Jack White-assisted ode to female rage. For all of these ladies, rock is extra than just bringing in a thicker bass line or more guitars. It is about launch — vocally, spiritually, physically. And it’s about much more than working with loud instruments to signify anger. We know how significantly Beyoncé loves to sing about like. Rock is the perfect outlet for that, way too — for speaking something that can be so primal and totally consuming devoid of discernible rhyme or motive.

To delve into common rock would be obvious, and in some approaches restrictive to an artist as clever and imaginative as Beyoncé — although the bikes and leather-ahead aesthetic strategy would make for some fiery visuals. But there’s a hunger for knowing and link in the glittering snarl of pop-rock and all its malleable contours. It is where by innovating pioneers like Tina Turner, Chatting Heads, and Prince — every single wielding a diverse use of the genre — converge. It’s due time for us to see how Beyoncé defines it for herself.  —L.P.

For People About To Rock

For Beyoncé, genres are not constraints. Alternatively they’ve served as historical contexts from which her boundless creativeness emerges, considering that nicely before her declared Renaissance arrived. In her genre-bending world, it only tends to make feeling that Beyoncé is heading to all-out rock subsequent, this staying much from her initial rodeo and a house she’s extended inhabited. With her great ear for fucking with kinds and generating them her very own, and rock & roll becoming an amalgamation of Black American tunes that was appropriated from its progenitors, it is a deserving following end for reclamation.

But in which could she go future in a genre so wide with subgenres that all could profit from the Bey contact? She tipped her hat to Chuck Berry on Cowboy Carter, and it will make perception that the guy who pioneered rock & roll would also be bundled in a Beyrock album, as would other revolutionary Black artists from rock’s bluesy bedrock origins. Trixie Smith, Bessie Smith, Little Richard, Ruth Brown, LaVern Baker, and Sister Rosetta Tharpe are among just a handful of artists Professor Bey could sample in her necessary musical record lesson.


There are loads of dwelling legends she could invite for collaborations, these kinds of as Sly Stone, Vernon Reid, Slash, Tom Morello, and Grace Jones. There’s also the doo-wop of it, the gospel, funk, and soul of it. Rockabilly, punk, riot grrrl, new wave, glam rock – a cornucopia of styles and eras ripe for Beyoncé’s take. Or how about hearing her channel Labelle, Betty Davis, X-Ray Spex, and, of study course, Tina Turner?

She could flip the script on rock songs named right after girls — that could be an album in by itself. The place Beyoncé normally takes Act III is anyone’s guess, but it’s a superior guess that it will be an exhilarating journey. –A.L.